Athanasiou-Krikelis, Lissi. “Twisting the Story: Margarita Karapanou’s Rien ne va plus and Amanda Michalopoulou’s Θα ήθελα as Metaautobiographical Novels.” Journal of Modern Greek Studies 34.1 (2016): Online at Project Muse /Internet Archive.*
Schmid, Wolf. Figurally Colored Narration: Case Studies from English, German, and Russian Literature. (Narratologia, 18). Berlin and Boston: de Gruyter, 2022.*
https://doi.org/10.1515/9783110763102
2022
_____. “Preface.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022.*
_____. “1. Introduction: Narrator and Figure.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 1-15.* (Chekhov, “Rothschild’s Violin”, Torah, Homer).
_____. “2. Figurally Colored Narration: Terms and Definitions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 16-41.* (McHale, Cohn, Palmer, Spitzer, Bakhtin, Kenner, Stanzel, Fludernik, Bal)
_____. “3. Figurally Colored Narration as Text Interference.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 42-57.* (Voice, Free indirect discourse).
_____. “4. Functions and Areas of Application.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 58-123.* (Chekhov, “The Bride”; Bellow, “Looking for Mr. Green”; Chekhov, “The Student,” Jurij Trifonov, The Long Goodbye; Mansfield, “The Daughters of the Late Colonel”; Dieter Wellershoff, “The Normal Life”; Hemingway, “Up in Michigan”; Dickens, Little Dorrit; Austen, Emma; Mann, “Tristan”; Dostoevsky, “A Nasty Anecdote”, Crime and Punishment; Pil’njak, The Naked Year; Tolstoy, “The Forged Coupon”; Fay Weldon, “Weekend”; children’s fiction; Dostoevsky, The Eternal Husband, The Double;Pushkin, “The Coffinmaker”; Shirley Jackson, “The Lottery”; Faulner, “Elly”; Illusion, desription, dreams, Foreshadowing, Mood, Characterization, Flashbacks).
_____. “5. Limiting and Uncertain Cases.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 124-42.* (Figural coloring without a figure; Mansfield, “At the Bay”; Woolf, The Waves, Guzel’ Jaxina, My Children; Character or Narrator? – Goethe, Novella, Otto Ludwig, Between Sky and Earth; Thomas Mann, “A Weary Hour”; Dostoevsky, The Adolescent).
_____. “6. Summary and Conclusions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 143-52.*