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There Is a Tale in Everything
There Is a Tale in Everything: https://www.ibercampus.eu/there-is-a-tale-in-everything-5409.htm
Reseña ‘in Style’
Retropost, 2011: Reseña ‘in Style’ https://vanityfea.blogspot.com/2011/06/resena-in-style.html
De quelques fonctions de la narration
Estructuras narrativas lúdicas: un soporte para artistas digitales
Tortolero Cervantes, Xóchitl. “Estructuras narrativas lúdicas: un soporte para artistas digitales.” Ph.D. diss. U Politécnica de Valencia, 2013. Online at RiuNet.*
https://riunet.upv.es/handle/10251/31122
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2021
Contemporary Narrative Geographies
Skredsvig, Kari Meyers. “Siting Encounters and Encountering Sites: Contemporary Narrative Geographies.” Filología y Lingüística 28.2 (2002): 41-50.* Online at Semantic Scholar.*
https://pdfs.semanticscholar.org/042d/b9e4827c4a3e3520f8b6136c978bd64dee9f.pdf
2021
Die einfache form des Erzählens
Breithaupt, Fritz. “Die einfache Form des Erzählens (Experimentelle Geisteswissenschaften).” Online at IUScholarworks.*
2021
How Do You Use Story in Your Work?
Retropost, 2011: How Do You Use Story in Your Work? https://vanityfea.blogspot.com/2011/02/how-do-you-use-story-in-your-work.html
How to Measure Narrativity
Brütsch, Matthias. “How to Measure Narrativity? Notes on Some Problems with Comparing Degrees of Narrativity Across Different Media.” In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Berlin and Boston: de Gruyter, 2017. 315-34.*
Online at ZORA (Zürich Open Repository and Archive – Zentralbibliothek Zürich).*
2021
Qualifying and Quantifying Interestingness
Szilas, Nicolas, Sergio Estupiñán Vesga and Urs Michael Richle. “Qualifying and Quantifying Interestingness in Dramatic Situations.” In InteractiveStorytelling. 9th International Conference on Interactive Digital Storytelling, ICIDS2016. Ed. F. Nack and A. S. Gordon. Cham: Springer, 2016.* (Aesop’s Fables, narrativity).
DOI : 10.1007/978-3-319-48279-8_30
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https://archive-ouverte.unige.ch/unige:91113/ATTACHMENT01
2021

