Robert Forkel – Erfahrung aus Narration: Erinnerungskulturelle Funktionen der Enkelliteratur (Narratologia, 72): https://www.degruyter.com/view/title/568824
Universal Minds
Palmer, Alan. “Universal minds.” Semiotica 165 (2007): 205-225.*
doi: https://doi.org/10.1515/SEM.2007.040
https://www.degruyter.com/view/journals/semi/2007/165/article-p205.xml
2020
_____. “Universal Minds.” Online ref. at Semantic Scholar.*
2020
Giants in Transmedia
Kôiva, Mare. “Giants in Transmedia.” Folklore: Electronic Journal of Folklore 64 (Tartu, 2016): 193-212.
http://www.folklore.ee/folklore/vol64/giants.pdf
http://dx.doi.org/10.7592/FEJF2016.64giants
Online at Academia (Mare Kôiva).*
https://www.academia.edu/32443431/
2020
Открытая нарратология
Kozonina, Anna. «Открытая нарратология»: как и зачем изучать истории, которыми мы живем. (“Open Narratology: How and Why to Study the Stories We Live By”). Interview with Larissa Muravieva. Культура в городе. 2015.*
2015
Función narrativa de la magia en las sagas islandesas
Función narrativa de la magia en las sagas islandesas: https://vanityfea.blogspot.com/2020/06/funcion-narrativa-de-la-magia-en-las.html
Los tres cuerpos de la narración
Los tres cuerpos de la narración: https://www.facebook.com/elgranteatrodelmundo/posts/3585148791513995
Baroni – Fear
“Fear: A Chat with Raphaël Baroni.” Video. (Jan. 2018). Online at Vimeo.*
2020
Le récit comme forme-mouvement
Le récit comme forme-mouvement: https://www.academia.edu/8830770/
Márketing, empresa y narratología
Márketing, empresa y narratología: https://vanityfea.blogspot.com/2020/06/marketing-empresa-y-narratologia.html
Emergent Narratological Explanatory Frames
Beatriz Penas – “Emergent Narratological Explanatory Frames: From (non-)naturalness to (non)standardness (the case of haiku-like narratives).” Online at Academia (Beatriz Penas).*
https://www.academia.edu/16275686/
2020