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Baroni, Raphaël.”Tellability.” In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 447–54.*
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Narratology&Deconstruction: https://personal.unizar.es/garciala/publicaciones/narr&dec.html
Gomel, Elana. “Narrative Disease: Speculative Fiction, Evolutionary Theory, and the Origin of Storytelling.” Online at Academia.* (Stephen Baxter’s Evolution [2003], China Mieville’s Embassytown [2012] and Ted Chiang’s Story of Your Life [1998]).
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2020
Retropost, 2010: Citado en reseña beckettiana: https://vanityfea.blogspot.com/2010/08/citado-en-resena-beckettiana.html
Crowder, Bo. “Rocking the Reader: A Close Study of Anachrony in Girls of Slender Means and Slaughterhouse Five.” 2017. Online at Academia* (Muriel Spark, Kurt Vonnegut).
https://www.academia.edu/32560523/
2020
Kemp, Simon. (U of Oxford). “Unmasking the Detective-Murderer in the Novels of Alain Robbe-Grillet.” From Exposure: Revealing Bodies, Unveiling Representations. Bern: Peter Lang, 2004. 96-106. Online at Academia.*
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Leuveren, Bram van, and Thom van Duuren. “‘Narratives-in-the-Making’: Towards a Gradient Understanding of Narrativity in Contemporary Performance.” Paper presented at the Annual conference of the International Society for the Study of Narrative (ISSN). Manchester, 27-29 June 2013. Online at Academia.*
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_____. “Narratives in the Making: Some Thoughts on a Multidimensional Interpretation of Narrative Experience in the Interdisciplinary Performance The Fault Lines (2010).” Paper presented at the Conference of the International Society for Intermedial Studies (ISIS), Cluj-Napoca, 24-26 Oct. 2013. Online at Academia.* (Philipp Gehmacher, Meg Stuart, dance; Vladimir Miller, film).
https://www.academia.edu/4976397/
2020
La Structure de ‘La Mort le Roi Artu’ https://personal.unizar.es/garciala/publicaciones/mort.html