Figurally Colored Narration

Schmid, Wolf. Figurally Colored Narration: Case Studies from English, German, and Russian Literature. (Narratologia, 18). Berlin and Boston: de Gruyter, 2022.*

https://doi.org/10.1515/9783110763102

2022

_____. “Preface.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022.*

http://doi.org/10.1515/9783110763102-001

2022

_____. “1. Introduction: Narrator and Figure.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 1-15.* (Chekhov, “Rothschild’s Violin”, Torah, Homer).

http://doi.org/10.1515/9783110763102-002

2022

_____. “2. Figurally Colored Narration: Terms and Definitions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 16-41.* (McHale, Cohn, Palmer, Spitzer, Bakhtin, Kenner, Stanzel, Fludernik, Bal)

http://doi.org/10.1515/9783110763102-003

2022

_____. “3. Figurally Colored Narration as Text Interference.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 42-57.* (Voice, Free indirect discourse).

http://doi.org/10.1515/9783110763102-004

2022

_____. “4. Functions and Areas of Application.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 58-123.* (Chekhov, “The Bride”; Bellow, “Looking for Mr. Green”; Chekhov, “The Student,” Jurij Trifonov, The Long Goodbye; Mansfield, “The Daughters of the Late Colonel”; Dieter Wellershoff, “The Normal Life”; Hemingway, “Up in Michigan”; Dickens, Little Dorrit; Austen, Emma; Mann, “Tristan”; Dostoevsky, “A Nasty Anecdote”, Crime and Punishment; Pil’njak, The Naked Year; Tolstoy, “The Forged Coupon”; Fay Weldon, “Weekend”; children’s fiction; Dostoevsky, The Eternal Husband, The Double;Pushkin, “The Coffinmaker”; Shirley Jackson, “The Lottery”; Faulner, “Elly”; Illusion, desription, dreams, Foreshadowing, Mood, Characterization, Flashbacks).

http://doi.org/10.1515/9783110763102-005

2022

_____. “5. Limiting and Uncertain Cases.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 124-42.* (Figural coloring without a figure; Mansfield, “At the Bay”; Woolf, The Waves, Guzel’ Jaxina, My Children; Character or Narrator? – Goethe, Novella, Otto Ludwig, Between Sky and Earth; Thomas Mann, “A Weary Hour”; Dostoevsky, The Adolescent).

http://doi.org/10.1515/9783110763102-006

2022

_____. “6. Summary and Conclusions.” In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 143-52.*

http://doi.org/10.1515/9783110763102-007

2022

Business Conspiracies

Alemany Oliver, Mathieu. “Navigating Between the Plots: A Narratological and Ethical Analysis of Business-Related Conspiracy Theories (BrCTs).” Journal of Business Ethics 28 Aug. 2020.* (Springer)

         http://doi.org/10.1007/s10551-020-04612-3

         2022

         Online at Internet Archive.*

         https://web.archive.org/web/20201108171814/https://link.springer.com/content/pdf/10.1007/s10551-020-04612-3.pdf

         2022

Sobre ficción criminal y (post)modernidad

Valles Calatrava, José R. (U de Almería). “Sobre algunas cuestiones transductivas y transdiscursivas en la ficción criminal: La novela y el cine policial en relación con la modernidad y la posmodernidad (A propósito de Los crímenes de la calle Morgue, El Halcón Maltés y El nombre de la rosa).” In La arquitectura del sentido: La producción y reproducción en las prácticas semiótico-discursivas. Ed. Julieta Haidar. (Cuerpo Académico ‘Análisis del Discurso y Semiótica de la Cultura’). Mexico: Conacula-INAH, Escuela Nacional de Antropología e Historia, 2005.  55-76. Online preview at Academia.*

https://www.academia.edu/75263121/

         2022